![]() Roger Deakins was originally a documentarian, and during this time he didn’t have big studio budgets available, so he came up with creative solutions for gear, lighting, and overall image creation. He loves the immediacy of controlling a camera, and if you are a cinematographer with a love for movies, you may agree. You have the viewfinder against your eye, and the camera “in your hand.” You see what the viewer will see. I think I would agree from the standpoint that you see everything before anyone else. OPERATE THE CAMERA AS MUCH AS POSSIBLEĭeakins believes the camera operator is the best job on set. When it is dangerous, support your cast and crew. Roger Deakins is an acclaimed Cinematographer with a net worth of 87 million. The rare exceptions almost always involve stunt work, where the use of multi-cam can mean important images aren’t missed and can keep coworkers from replicating dangerous stunts over and again. His salary is estimated to be around 1 million per movie. ![]() Multi-cameras are one way to film your scenes, but not for Deakins. Keywords - Cinematography, Roger Deakins, Shawshank Redemption, Blade Runner 2049, Prisoners, Frank Darabont, Denis Villeneuve. How can you show the outside light peeking through a door hole when you also have to light the characters face for the other camera or get a shadow on the water when you also have to record the close-up. They use visuals, camera movement, sounds design, and film grammar all to their advantage whenever possible. They instead have elected to absorb the principles of early television which prioritizes writing and efficiency rather than aesthetics.ĭeakins does not, and neither do the directors that he works with. Many films don’t do this, and that’s why they don’t deliver.Ĭinema is different from television because of the economics, but in the last ten years, that gap has slowly been closing.Ĭuriously enough, some movie makers have lost sight of why television is catching up. This may be the most important advice you’ll ever hear. TAKE ADVANTAGE OF T HE FILM MEDIUMĭeakins works with directors who take advantage of the medium. The way he lights scenes, the camera placement, the number of cameras, the lenses, and directors he works with all matter more to him than film vs digital. Some filmmakers are very specific about their preference, but Deakins is focused elsewhere. ![]() In 2018 he won an Oscar for best cinematographer for his work in Blade Runner 2049.Both have their advantages, and Deakins recognizes this. He is also known for his work in The Assassination of Jesse James by the Coward Robert Ford (2007), No Country for Old Men (2007), True Grit (2010), Skyfall (2012), Sicario (2015), and Blade Runner 2049 (2017).ĭeakins also worked as one of the visual consultants for Pixar's animated feature WALL-E. He received his first major award from the American Society of Cinematographers for his outstanding achievement in cinematography for the internationally praised major motion picture The Shawshank Redemption (1994). He began his collaboration with the Coen brothers in 1991 on the film Barton Fink. He is a member of both the American and British Society of Cinematographers.ĭeakins' first feature film in America as cinematographer was Mountains of the Moon (1990). Roger Deakins is an English cinematographer best known for his work on the films of the Coen brothers, Sam Mendes, and Denis Villeneuve.
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